Borrowed Faces has been presented to date in a series of lecture-performances, archival boxes, large-scale drawing tableaux, and finally the first edition of a photo novel.
Fehras Publishing Practices focuses on individual cultural actors in Arab publishing in the late 1950s and 1960s, revealing a network of local and international institutions and conferences that courted them. The political interests of the great powers also entangle Arabic writing culture in a bipolar international context.

The Series of Disappearances deals with the relocations of knowledge and libraries at different levels by following the traces of private libraries of intellectuals, writers, publishers and individuals and the traces of the book archives of collectors and institutions. It also observes the phenomena of public and street-libraries in the East Mediterranean and North Africa. The term disappearance is understood, not only in the sense of vanishing of books or libraries, but also of disappearance as a process of transformation and therefore as a mode or strategy for a new appearance. Hence, the disappearance became an act that motivates us to research its reasons, forms and the new relations that came out of it. In other words, how a publication appears in new forms and contexts and what significance does this process have in the present.