Nora Razian is the Head of Exhibitions at the Jameel Arts Centre, Dubai where she has curated solo presentations by Mounira Al Solh, Farah Al Qasimi and Chiharu Shiota. She oversaw the Jameel’s 2018 opening program of exhibitions and publications. Previous roles include Head of Programs and Exhibitions at the Sursock Museum, Beirut, and Curator of Public Programs at the Tate, London. She has an MA in Anthropology and Cultural Politics from Goldsmiths College, London, where she also designed and taught the MA course Critical Pedagogy in Contested Space at the Centre for Arts and Learning. She has curated several solo and group exhibitions, including I will return, and I will be millions as part of Homeworks 8, Beirut in 2019, Phantom Limb at the Jameel Arts Centre, Dubai in 2019 and Let’s Talk About the Weather: Art and Ecology in a Time of Crisis in 2016 and 2018 at the Sursock Museum, Beirut and the Guangdong Times Museum, Guangzhou.


Strangers on a Train

Visual essay by Atef Berredjem & Nora Razian
Published in: Pas de Deux: 5 x 2 x 2, Mediterranean dialogues, argobooks, 2014


What do revolution, rebellion, and war look like in relation to our relative motion? How fast do we need to be moving to create a simultaneous understanding of ideologies such as democracy, capitalism, and socialism? While being propelled through space and time, what language can we use to articulate this simultaneous moment?It seems that our current moment is one in which all guiding markers have either been moved or completely erased; there are no fixed goal posts to aim for, no yellow brick road to take us back home. Are we now firmly rooted in a century that has forgotten how to imagine where it wants to go? Or is it that the concurrent pulls of the past and the future have locked us into an inert present? Looking over the wreckage of the ongoing political struggles in North Africa, the Levant, and the Gulf, the future appears to have altogether evaporated…