Foreign Farmers



The result of ten years of collecting seeds and stories has taken shape as an experimental garden at Manifesta 12, where migrating varieties cohabit and are acclimated, set in the Botanical Garden in Palermo. Inspired by the fundamentally hybrid genealogy of Sicilian plants and vegetables, the artist has built a bower in the former colonial section of the Botanical Garden, which was once dedicated to acclimation experiments run on species brought from the colonies. The construction of a hybrid bower upends the historic significance of this space: acclimation is no longer imposed as part of a power-based relationship, but is a natural process. Here, the cucuzza (a snakelike summer squash essential to Sicilian home cooking) grows alongside its Bengali, Sri Lankan, Philippine, Turkish, and Chinese counterparts. A sort of cabinet of curiosities has been set up in the Gymnasium, the result of the fieldwork Contini has done on foreign farming practices over recent years.

agriculture, food, migration, colonial heritage

Leone Contini

Leone Contini, born in Florence in 1976, studied philosophy and cultural anthropology at the University of Siena. His research focuses on intercultural friction, conflict and power relations, frictions, migration and diaspora and uses the tools of anthropology to short-circuit the spheres of commonness through lecture-performances, collective interventions in public spaces, textual and visual narratives, blogs and self-publishing. He has held exhibitions and displayed work at the Centre Pompidou, Paris; SAVVY, Berlin; PAV, Turin; IAC, Lyon; Manifesta 12, Palermo; Fondazione Sandretto, Turin; Museo delle Civiltà, Rome; Mudec, Milan; Quadriennale, Rome; Cittadellarte, Biella; Mart, Rovereto; Delfina Foundation, London; Kunstraum, Munich and Kunstverein Milan; and Khoj, New Delhi. In 2017 he won the second edition of the Italian Council award.

Leone_Contini_1, Foreign Farmers, 2018; photo: Can Aksan

Foreign Farmers